Le 17 janvier 1981, le 45t SUDDENLY extrait de la B.O XANADU grimpe d'une seule petite place dans le HOT100 du Billboard !
XANADU (qui affiche ses 30 ans cette année) re-grimpe de 2 petites places dans le BILLBOARD 200 !
.
1976-01-17
Le 17 janvier 1976, l'album CLEARLY LOVE perd 7 places dans le BILLBOARD 200
Le 45t LET IT SHINE / HE AIN'T HEAVY continue sa progression dans le HOT100 !
DAME ONJ est à la 30ème marche !
C'est un peu mieux chez CASH BOX ! CLEARLY LOVE est à la 78ème place du TOP100 ALBUMS et le 45t LET IT SHINE à la 28ème place du TOP100 SINGLES !
LET IT SHINE se porte un peu mieux dans le classement Country à la 19ème place
.
COUPURE DE PRESSE
GREASE: THE DIRECTOR’S NOTEBOOK
Total Film
17 Jan 2020
Neil Smith
People always ask why Grease has remained so popular through the years,” writes director Randall Kleiser in this yearbook-like tribute to his 1978 smash musical. “I say it’s because it captures the nostalgic feeling of a more innocent time, it had terrific music, and it had a one-of-a-kind cast.” All true – though that cast could have been different had producer Allan Carr had his way – the flamboyant movie mogul originally had porn actor Harry Reems in mind for Sid Caesar’s Coach Calhoun part.
Not only that, but it’s also entirely possible Carrie Fisher might have landed the iconic role of Sandy, had Olivia Newton-John not been happy with the screen test she insisted upon before inking her contract. From the foot injury John Travolta sought to heal using a Scientology technique to the Coca-Cola ad that had to be obscured because of the film’s Pepsi product-placement deal, Kleiser’s Notebook is full of such trivia nuggetry.
Its main attraction, though, is the director’s original shooting script, a fascinating document for both fervent fans who can quote the film verbatim and anybody interested in the pageto-soundstage journey. Sketches, storyboards and hitherto unseen photos contribute to an engrossing chronicle of what Travolta’s foreword describes as “the go-to movie when people need to be cheered up”. There is room, too, for Kleiser to trash the theory that the entire musical is actually a fantasy Sandy envisions while drowning.
