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dimanche 30 juin 2019

RETRO PIC



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THE ONJ COLLECTION


Pour le fun voici 3 articles qui seront vendus aux enchères en novembre ...

Les bottes faites sur mesure pour le final de XANADU ...


la robe d'ONJ pour le show ONLY OLIVIA de 1978



... et une tunique utilisée pour la pochette du 45t HEART ATTACK et le PHYSICAL TOUR BOOK ! La photo est de HERB RITTS et les créations de Fleur Thiemeyer ! ( Pas les bottes )


Fleur Thiemeyer a habillé presque toutes les stars des années 70/80 ! De Rod Stewart à Dusty Springfield en passant par les Jacksons et Fleetwood Mac ! Elle a bien sur joliment habillée Olivia durant sa grande période ...


https://fleurthiemeyer.squarespace.com/music


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NEW IDEA

CHLOE’S TRIBUTE TO OLIVIA
New Idea
8 Jul 2019

Le New Idea australien reprend dans son édition papier l'hommage de Chloe à sa mère ...



As Olivia Newton-john, 70, battles stage-four cancer, her daughter Chloe Rose Lattanzi took to Instagram to thank fans for their well-wishes. Posting to her mum’s account, the 33-year-old wrote, “Hi guys. Chloe here. Just using my mom’s Instagram to say that I don’t have an Instagram up yet … I’m having a blast with my mama, and look forward to coming back to Instagram with projects and ways to be of service to others. Thank you all for supporting my beautiful mama. I feel your love. And so does she.”

Last year, Olivia revealed she was facing cancer for the third time, after doctors found a tumour at the base of her spine.

The star has remained positive throughout her ordeal and continues to fight for cancer research, even auctioning off memorabilia from 1978’s Grease for the Olivia Newton-john Cancer Wellness & Research Centre in Melbourne.

samedi 29 juin 2019

LET IT GO



Une publication partagée par New Zealand Woman's Weekly (@newzealandwomansweekly) le






THE CHEEKY SWEETHEART REVEALS WHAT KEEPS HER STRONG

New Zealand Woman’s Weekly
1 Jul 2019

Olivia’s life lessons

Olivia Newton-John has a surprisingly dirty sense of humour. Take that famous scene in Grease where her character Sandy walks out on John Travolta’s Danny after he tries to grope her at the drive-in. As Danny sits alone, his romantic hopes in ruins, an intermission advert shows a hot dog jumping salaciously into a bun.

“I loved that part. Couldn’t look at a hot dog or a bun the same way again, though,” she laughs. “I was born English, raised Australian − I think both of those countries have a sense of humour that leans towards the dirty. I do like a double entendre.”

It’s not exactly what you’d expect of the woman whose 50-year career could be encapsulated in one word: sweetheart. But then, nor is the revelation that at the age of 59 she underwent an ayahuasca (pronounced a-yuh-wuh-skuh) ceremony in the Peruvian rainforest.

Olivia embraced the psychedelic drug and its promise of enlightenment, spending a night vomiting and hallucinating by the edge of the Amazon in the aftermath.

Or there was that time on tour she trashed her private jet so badly in a whipped cream fight that someone later asked if Led Zeppelin had been on board.
“Me with my nice-girl image. Crazy. Gigantic mess. Embarrassing!” she recalls with glee. Maybe there’s more of the Sandy who shimmies onto the screen at the end of Grease in her spray-on trousers, red peep-toe heels and bed-head curls in Olivia than you’d guess.

“I wouldn’t have survived so long in this industry if I wasn’t tough,” she tells from her home in Santa Barbara.
“No, not tough. Strong. I’m strong. You can be strong without being tough.”

She has needed to be. Professionally, Olivia has never been off key − her supple soprano voice has sold tens of millions of songs worldwide and won her four Grammys.

Her private life, however, has been harder.

Now 70, she has had three encounters with cancer, seen a marriage end in divorce, lost several babies to miscarriage and supported her only child Chloe, now 33, through anorexia as well as cocaine and alcohol addiction (devastatingly, as Olivia later explains, she partially blames herself for that, fearing her decision to hide her first cancer diagnosis from the then six-year-old may have led to Chloe’s problems in adulthood).

There is also the enduring mystery of her long-term boyfriend, Los Angeles cameraman Patrick McDermott, who disappeared at sea in 2005. There has been speculation that he had faked his own death to start a new life in Mexico.

Some subjects, such as Patrick’s vanishing, she will barely talk about − shutting down any questions, while in her autobiography, Don’t Stop Believin’, she glosses over the subject.

“Your brain, what you think, creates your reality,” Olivia says by way of explanation − though not apology − for the gaps she leaves in her story.

“I try to stay in the moment because that’s a happy way to lead your life. I tend not to hold onto the negative. I let it go and don’t dwell.”

Other topics, notably her battles with cancer, are up for honest discussion. She has lived with breast cancer since 1992 and self-prescribes positivity. Since her diagnosis, she has founded a hospital and wellness centre in Melbourne, Australia, to help others with the disease, as well as maintaining her musical career and falling in love midlife.

A decade ago she married John Easterling (67), an Amazonian herbal specialist and environmental activist. He was the man who poured her a modest amount of ayahuasca and held her as she underwent the ancient ritual − even before they were lovers.

“I had literally half a teaspoon with no expectation anything was going to happen,” she recalls. “I had told John I was afraid of mind-altering things and he said it wasn’t enough for a full experience.”

Olivia, however, proved super-sensitive to the drug and found herself gripped by a vision of John and herself together in a past life at the time of the Incas.
“I think it was meant to be,” Olivia says. “My body needed it. It recalibrates your brain.

I had been depressed, in an emotional crisis for around two years, but I came out of it feeling as though my mind had been washed.”

She doesn’t explicitly say so, but the timing suggests the crisis to which she refers could have been the aftermath of Patrick’s disappearance.

After the ayahuasca ceremony she asked John if she could be part of his life. Six months later they were engaged.

“He didn’t have a ring − he hollowed out a bread roll on the dinner table.” It was an idiosyncratic way to woo a very wealthy and very famous star, but Olivia loved it.

In June 2008, they returned to Peru to be married by a shaman on an Andean mountainside.
“I was 59 when I met the love of my life. There’s no time limit on finding The One,” she says.
It’s John who cultivates the medicinal cannabis she takes daily in the form of drops. He is a high-profile supporter of the controversial drug; she is a passionate consumer of it.

“I was on quite high doses of morphine when I came out of hospital last year and I have been able to wean myself off morphine with cannabis,” she tells. “Opiates kill people. Cannabis doesn’t; it does amazing things. It helps me with the pain, the anxiety, the sleeplessness and I believe it has properties for healing, too.”

It’s an unconventional cancer manifesto, but Olivia believes that the result of all of her experiments and experiences will be to further research into curing the disease.
“Thinking this is all for a reason, that’s what works for me. I want to be part of finding the end of cancer.”

Olivia’s cancer recurred in 2013 and again in 2017, when it was discovered to have spread to her sacrum. She found herself an accidental patient of her own hospital last year, the Olivia Newton-John Cancer Wellness & Research Centre, while working a film project, when her cancer-weakened pelvis fractured.
“I ended up playing the role of undercover boss,” she jokes.

But the return of the disease for the third time has been grim, leaving her too weak to wash her own hands.
“Since I came out I have had to learn to walk again,” admits the woman who danced not only with John in Grease, but with Gene Kelly in the cult 1980 roller-disco movie Xanadu.

Olivia was 28 and had a successful singing career before she was cast in the story of 1950s summer lovin’ between Sandy Olsson and Danny Zuko at Rydell High. She was talked into the role by a personal visit from John, who turned up at her California ranch unannounced in his butterscotch-yellow convertible.

They sizzled on screen, so were they ever lovers in real life? She doesn’t mind the question, probably because the answer, disappointingly, is no.

“There was an attraction, but we would never date because we were both involved with other people and both of us have a loyalty streak that runs deep.”

In other circumstances, would she? “Ahhh, you can’t what-if your life away!” she says. Olivia still has “those trousers” which, terrifyingly, turn out to have been original 1950s vintage, meaning there was only ever one pair for filming, and they already had a broken zip.

“No room for error…” As it turns out, Olivia was stitched into them every morning ahead of filming, unpicked so she could have a pee and some lunch and then stitched back in for the afternoon.

The film played on and subverted her good-girl image, the one that makes the dirty jokes, ayahuasca and the trashing of the private jet all seem so unlikely. There was, of course, Sandy number one with her Pollyanna (incidentally, this was Olivia’s family nickname) wardrobe of prim collars and dirndl skirts, and Sandy number two, her sex-bomb alter ego.

Olivia still remembers the moment the latter made her debut. “All the men on the crew began to do double takes. I think a sandwich or two hit the floor. My first thought after that reaction was, ‘What have I been doing wrong all these months? All these years!’”

Did she enjoy being bad Sandy? “Well, I didn’t want to be her for ever, but I think there’s bits of me in both Sandys. I think they’re in all of us.”

Grease was far more graphic than many people realise and is one of those classics that sometimes falls foul of 21stcentury gender politics. The lyrics, “Did she put up a fight?” from the song Summer Nights particularly clash with today’s focus on consent, and then there’s Sandy’s not very feminist desire to sex herself up for the too-cool-for-school Danny.

In Don’t Stop Believin’ Olivia defends Sandy number two, saying, “Empowerment comes from calling your own shots,” but I think privately she prefers not to see it framed in a modern context at all. “It amused me that people took it so seriously.”

Olivia was born in England where her father Brin was head of King’s College at Cambridge. Her mother Irene was the daughter of Nobel Prizewinning German physicist

Max Born, who had fled Nazi Germany in 1933. When she was five, the family emigrated to Australia. Victory in a local talent competition bought her a sea passage back to England where she secured a record deal with Decca in 1966.

Five years later she had a massive hit with If Not For You, cracking America, followed by John Denver’s Take Me Home, Country Roads, which established her as a force in country music, too. It was Grease that made her a global superstar though.

She is chatting to me from her home office. On the walls behind her is the legacy of that life: photos of her with Sir Elton John, Stevie Wonder and John.

I ask if she will ever perform in public again. “I don’t know if I want to. I am enjoying just being; being a person.”

She speaks of tending her rose garden, following new talent on The Voice and American Idol, and listening to Michelle Obama read her autobiography on audio book.

To me, the single most insightful detail revealed in her autobiography is Olivia’s fear that not telling Chloe (to whom the book is dedicated) about her illness, and having her find out from another child in the school playground, could have sent her daughter spiralling into drink and drug abuse, and an eating disorder.

“Children sense what is going on,” says Olivia. “She felt something was wrong, that Mummy was not well, and I think that might have led to her not trusting her own instincts later.”

Does she regret it? “I do... but you have to forgive yourself as well as other people; you can only ever move forward.”

She does this with a cheeriness and optimism that sounds just like the Olivia Newton-John we all think we know.

“What’s your choice − cry or laugh?” she asks. “I like to laugh.” Especially, as it turns out, to a good old-fashioned double entendre.

‘I wouldn’t have survived so long in this industry if I wasn’t... strong. I’m strong’


BIS REPETITA



Et j'ai une grosse "followeuse" sur Instagram ... c'est d'ailleurs flippant .. tous ces répliquas ..




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DAILY TELEGRAPH


OLIVIA NEWTON-JOHN
70, actress

The Daily Telegraph
29 Jun 2019



IF I COULD SEE ME KNOW

I’m not sure I’d tell her about having cancer [last year, NewtonJohn was diagnosed with the disease for a third time]. I didn’t tell my daughter when I had breast cancer, because she was very young and she’d lost her best friend to cancer. If I’d told her I had cancer too, she’d have presumed I was going to die as well. Maybe I’d tell my younger self that yes, it’s possible that you could get cancer in your life but that doesn’t mean you’ll die of it. I think that’s the important thing to know. People have this preconceived notion that cancer is a death sentence, but you can now live with it like a chronic illness. I’m lucky and I take a lot of medicinal cannabis and I’m doing great.

I think my younger self would just want to know that I’m happy, and fulfilling a purpose. I haven’t been working for a long time, and I’m really enjoying just being – which is a new experience for me. I spend half my time in California and half my time in Australia, and I’m taking care of my animals [two miniature horses and a German shepherd], my hospital [the Olivia Newton-John Cancer Wellness & Research Centre], and my husband [John Easterling, an American businessman and environmentalist]. My younger self would love John, as I do. He’s very warm and takes an interest in people. If he met me as a 10-year-old he would show me the plants he’s growing and teach me stuff in a professorly way.

If I met that 10-year-old Olivia, we’d go and spend time with the miniature horses. That was my favourite thing as a girl – just being with animals. I was always bringing home stray cats and dogs and kittens that people had abandoned, and taking them to the RSPCA. I was very motivated about animals and animal cruelty, and that’s never changed.

And if I showed her Grease, she would love it and have a good laugh. She would have thought that John Travolta was very handsome.

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RETRO PIC



jeudi 27 juin 2019

PINK CHIFFON BODICE


Olivia Newton-John rocked this pink chiffon bodice during her 1978 “Totally Hot World Tour”. This is so cute and could definitely make a comeback in 2019, don’t you think ? /
Olivia Newton-John a porté ce corsage en mousseline de soie rose créée par Fleur Thiemeyer lors de son «Totally Hot World Tour» de 1978. C’est tellement mignon que ça pourrait faire un retour en 2019, vous ne pensez pas ?

Cette pièce emblématique de la garde robe d'ONJ sera mise aux enchères en novembre prochain ...



En mouvement sur le modèle original !







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CLOSER WEEKLY


Julian's Auction fait un joli travail d'attaché de presse pointant du doigt presque tout ce qui concerne les prochaines enchères d'Olivia Newton-John ..



mercredi 26 juin 2019

FIRE

Fire kept quiet as music history goes up in smoke
The Australian
27 Jun 2019


Original recordings by some of the most popular artists in Australian music history are feared to have been destroyed in a Hollywood fire, the full extent of which was concealed from the ...

Read more at https://www.theaustralian.com.au/subscribe/news/1/?sourceCode=TAWEB_WRE170_a_GGL&dest=https%3A%2F%2Fwww.theaustralian.com.au%2Farts%2Fmusic%2Flos-angeles-fire-kept-quiet-as-music-history-goes-up-in-smoke%2Fnews-story%2F1936c82e8722f4330a3036a8693862ac&memtype=anonymous&mode=premium&v21suffix=49-b

Une longue enquête du « New York Times Magazine » raconte comment, à la suite d’un feu dans les studios Universal, à Los Angeles, des enregistrements des plus grands artistes musicaux ont été détruits.
Le Monde à publié un article très intéressant sur le massacre sonore survenu un 1er juin 2008 ! Quelques pointures de la musique australiennes ont peur d'avoir subi le même sort que de nombreux artistes américains signés chez Universal ! Little River Band, Barry Gibb et Olivia Newton-John sont de ceux là ...

les archives disparues n’étaient pas des copies, comme l’avait annoncé UMG, mais bien, pour beaucoup, des masters originaux – sources notamment pour le mixage de chansons, d’instrumentaux et références lors de rééditions – de morceaux publiés, mais aussi d’inédits. « Le master original contient les détails du disque dans leur forme la plus pure : le grain de la voix d’un chanteur, les timbres d’instruments, l’ambiance du studio. »

L’industrie de la musique ne semble pas vouloir s’occuper du passé, les yeux rivés sur les tubes du moment et la « machine à cash ». La préservation et la restauration du patrimoine musical coûtent cher, en temps et en espace... et c'est sans doute pour une de ces raisons qu'on a pas vu de rééditions majeures dans la discographie d'Olivia Newton-John. Chez MCA, ONJ a signé ses plus grands succès dans les années 70/80 ..
On espère qu'elle et son producteur avisé, John Farrar avaient d'autres masters bien au chaud ...
John Farrar avait néanmoins concédé quelques inédits pour les 40 ans de carrière d'ONJ célébré au Japon .. en 2010 chez Universal !

https://www.lemonde.fr/big-browser/article/2019/06/14/l-incendie-des-studios-d-universal-le-1er-juin-2008-jour-ou-la-musique-a-brule_5476255_4832693.html

Le chanteur Bryan Adams a raconté au quotidien new-yorkais comment, en 2013, il a tenté, sans succès, de mettre la main sur le matériel sonore enregistré pour son album Reckless, qui s’est écoulé à 12 millions d’exemplaires lors de sa sortie en 1984.

Afin de souligner les 30 ans de cet album, Bryan Adams a voulu sortir une réédition de son disque, mais UMG – à qui appartient le catalogue de l’étiquette A&M Records ayant fait paraître Reckless – lui a indiqué ne pas être en mesure de localiser les enregistrements. Personne au sein d’UMG ne lui a mentionné alors qu'il y avait eu un incendie en 2008.

J’ai appelé tout le monde, d’anciens employés d’A&M, des directeurs, des producteurs, des photographes, [...] et même des assistants des producteurs de l’époque, explique le chanteur.
Je peux vous assurer à 100 % que, à Universal, je n’ai rien trouvé du matériel paru lors de ma collaboration avec A&M Records dans les années 1980. 

Heureusement, l’artiste a pu retrouver, dans ses propres archives, un enregistrement de qualité identique à l’original et sortir une édition anniversaire de son album Reckless en 2014.

Selon le New York Times, l’enregistrement du disque Remaining Awake Through a Great Revolution de Martin Luther King, où on entend le pasteur parler, a également été réduit en cendres. Des enregistrements de différents artistes, comme Sidney Bechet, Groucho Marx, Mae West, Bob Hope, Ricky Nelson, Petula Clark, The Who, Joe Cocker, Peter Frampton, Olivia Newton-John, Barry Gibb, The Pointer Sisters, Belinda Carlisle et Meat Loaf, Louis Armstrong, Ella Fitzgerald, Judy Garland, R.E.M. ou encore Eminem et Nirvana figurent aussi parmi ceux qui ont été détruits dans cet incendie.

La liste semble très longue !

https://ici.radio-canada.ca/nouvelle/1200128/universal-incendie-entrepot-bryan-adams-tragically-hip-rufus-wainwright


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MUSIQUE




SANS COMMENTAIRES


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GREASE EN MODE CONCERT


GREASE nous réserve toujours des surprises ! Nos amis anglais auront la chance de voir le film original mais pour le coup ...avec un orchestre symphonique en live !
5 dates sont au programme mais en février 2020 !
Pourquoi pas !



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PAGE SIX


Ou la coupure de web !! ONJ et Chloe en mode je fais des courses !



Several months after revealing her third battle with cancer, Olivia Newton-John was spotted out and about in Los Angeles on Tuesday.

The “Grease” star — looking casual and comfortable in sneakers, a quarter-zip and a fanny pack — appeared to be in good spirits as she went grocery shopping with her 33-year-old daughter, Chloe Lattanzi.

https://pagesix.com/2019/06/26/olivia-newton-john-spotted-out-and-about-with-her-daughter/


RETRO TIME OUT

Un grand merci à Tosca et Kay pour cet article de 1998 .. pour les 20 ans de GREASE !





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LE DAILY DU JOUR


Mother and daughter date! Olivia Newton-John appears in high spirits as she enjoys a day out with her only child Chloe Lattanzi amid Grease star's third cancer battle


She recently paid tribute to her mother Olivia Newton-John after the veteran actress was presented with a Companion of the Order of Australia.

And Chloe Lattanzi enjoyed a lovely day out with the beloved Grease star in Los Angeles on Tuesday.

Olivia, 70, appeared in high spirits as she stepped out with her 33-year-old daughter, amid her third battle with cancer.


READ MORE AT : https://www.dailymail.co.uk/tvshowbiz/article-7182161/Olivia-Newton-John-appears-high-spirits-enjoys-day-daughter-Chloe-Lattanzi.html

mardi 25 juin 2019

PEOPLES

C'est en "médaillée" qu' on trouve une photo d'Olivia Newton-John dans la rubrique StarTracks du dernier PEOPLE magazine !


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10 ANS DEJA





Le 25 juin 2019 s’annonce aussi tristement pour Ryan O'Neal. Il y a dix ans, l’amour de sa vie a rendu son dernier souffle. Farrah Fawcett a été emportée par un cancer à l’âge de 62 ans. Sa mort a ébranlé toute une génération.
«Drôles de Dames», «L'Équipée du Cannonball», «L'Âge de cristal»… tous ces titres résonnent familièrement aux oreilles des admirateurs de la belle blonde. Pour lui faire un dernier signe de la main, l’acteur de «Love Story» a confié de tendres mots à «People» : «Il n’y a pas un jour où je ne l’ai pas aimée.»


Née en 1947 à Corpus Christi, Texas, d'un entrepreneur dans le pétrole et d'une femme au foyer, Farrah a 6 ans lorsqu'elle est victime d'une tentative d'agression sexuelle. Adolescente, elle songe à devenir bonne sœur avant d'être rattrapée par sa beauté. Sur le campus de l'université d'Austin, où elle suit des études d'art, elle capte tous les regards. "Mais elle ne suscitait pas de jalousie, se souvient Gary Roberts, un ex-petit copain, et elle était amie avec tout le monde." Suivant les encouragements d'un agent publicitaire, elle part, en 1968, pour Los Angeles. "Je n'étais pas préparée à cette ville, déclarera-t-elle ; tout est arrivé très vite."



Un premier petit rôle, en 1969, dans le Lelouch américain, Un homme qui me plaît ; des publicités et des apparitions dans une poignée de séries, de la Sœur volante à Docteur Marcus Welby ; un mariage en 1973 avec Lee Majors, star de L'Homme qui valait trois milliards qui dit d'elle : "Farrah est comme une petite fille, si craquante et, intérieurement, si belle." Mais en 1976 ce sont d'autres attraits qui vont retenir l'attention du public. Un poster d'elle, en maillot de bain rubis, la tête penchée en arrière et sa crinière blonde en cascade, se vend à 12 millions d'exemplaires, suscitant la création d'une poupée Barbie à son effigie et une ruée chez des coiffeurs qui, s'inspirant de l'actrice, créent la coupe "à la lionne".


La même année, Farrah intègre la distribution de la série Drôles de dames. Elle a beau lui voler la vedette, sa partenaire Kate Jackson se souviendra d' "une fille en or, avec un sens de l'humour redoutable et une étincelle dans les yeux." Mais après vingt-neuf épisodes, elle claque la porte du show qui en a fait une star et se met à dos la chaîne ABC ainsi qu'une partie de la profession. Sans jamais percer au cinéma, Farrah se cherche. Y compris sentimentalement.



Rompant avec Majors, qui rêvait de la voir en femme au foyer, elle s'éprend de Ryan O'Neal, qui se souviendra, longtemps, de leur premier baiser : "Nous nous sommes tellement embrassés que nos lèvres étaient en sang." Leur relation, passionnelle, est scellée par la naissance, en 1985, de leur petit garçon. À cette époque, Farrah joue le rôle d'une femme battue dans The Burning Bed et persécutée dans Extremities, sans que ses prestations, saluées par la critique, n'entraînent de regain d'intérêt pour l'actrice. Vivant mal la quarantaine, elle s'enlise dans sa relation compliquée avec Ryan et se met à boire plus que de raison. Avant de quitter son compagnon lorsqu'elle le surprend, en 1997, dans les bras d'une plus jeune qu'elle...



Ce qui suit est sordide. Farrah s'éprend d'un nouvel homme, James Orr, qui la bat et dont elle se venge en saccageant la maison. Consommant de la marijuana, elle devient incontrôlable. "Face caméra, elle est super, observe la productrice Beth Polson, mais ce qui lui arrive dans sa vie rend difficile son retour devant les caméras. Difficile pour nous tous."
C'est au moment où elle tente d'aider son fils, Redmond (né en 1985 de son union avec Ryan O'Neal), à sortir de l'enfer de la drogue que Farrah apprend être atteinte d'un cancer. Culpabilisant, Ryan la retrouve pour une dernière bataille. Sa rédemption, avant l'oubli.
Elle s'éteint à 62 ans, après deux ans et demi de lutte et de soins divers contre un cancer qu'elle avait choisi de médiatiser.



En disparaissant en même temps qu'elle, le 25 juin 2009, Michael Jackson ne laisse aucun espoir de postérité à la blonde sexy....

(Source : TELESTAR)


Il y a 10 ans disparaissait aussi la star mondiale de la pop, Michael Jackson : 850 millions de disques vendus, des droits estimés a plus de deux milliards de dollars, trois albums posthumes encore à venir avec des dizaines de chansons inedites…
Soupçons de pédophilie obligent, peu d’hommages lui sont rendus ce mardi à part celui des fans par millions, qui le vénèrent toujours avec ferveur.

On reparlera encore de Michael Jackson dans les semaines qui viennent car deux procès doivent s’ouvrir début juillet : l’un d’entre eux est demandé par deux hommes qui affirment avoir été abusés sexuellement par la star dans leur jeunesse et qui mettent aujourd’hui en cause directement plusieurs membres de son entourage professionnel.

Olivia Newton-John to visit Newbridge Silverware

The Four-Time Grammy Award-Winning Pop Diva and Hollywood Superstar’s Iconic “Grease” Leather Jacket and Pants, “Physical” and “Xanadu” Wardrobe Pieces, Gowns, Awards and more to Rock the Auction Stage…

Olivia Newton-John will visit Newbridge Silverware on July 22nd and 23rd 2019 to launch the exhibition which will then run for approximately three weeks prior to auction in November by Julien’s Auctions.



Newbridge Silverware, in partnership with Julien’s Auctions is honoured to present this pre-auction exhibition celebrating one of pop music’s greatest talents and treasured icons, Olivia Newton-John. “Her extraordinary career - that includes her starring role in Grease, one of the most successful Hollywood films and soundtracks of all time - and her recordings of some of the biggest pop singles of the 20th Century, makes her more than just a star but a pop culture phenomenon.” said Martin Nolan, Executive Director of Julien’s Auctions. A Portion of the Auction Proceeds to Benefit the Olivia Newton-John Cancer Wellness & Research Centre



https://visitnewbridgesilverware.com/olivia-newton-john-to-visit-newbridge-silverware

Olivia Newton-John se rendra en Irlande et plus précisément au musée des icônes de style de Newbridge Silverware les 22 et 23 juillet 2019 pour le lancement de l'exposition, qui durera environ trois semaines avant la vente aux enchères en novembre par Julien's Auctions.

Newbridge Silverware, en partenariat avec Julien's Auctions, a l'honneur de présenter cette exposition avant la vente aux enchères célébrant l'un des plus grands talents de la musique pop  aka Olivia Newton-John. «Son extraordinaire carrière - qui comprend son rôle principal dans Grease, l’un des films les plus populaires à Hollywood - ainsi que certaines de ses chansons devenus emblématiques de la musique pop du XXe siècle, font d'elle plus qu'un phénomène de cette culture ", a déclaré Martin Nolan, directeur exécutif de Julien's Auctions.
Une partie de la vente aux enchères profitera au Centre de recherche sur le cancer et de bien être  Olivia Newton-John situé à Melbourne en Australie.

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TODAY 





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UNE PAIRE DE JEANS



Ce jean avec un patchwork fait partie de la vente aux enchères «Propriété de la collection d'Olivia Newton-John» qui aura lieu à Beverly Hills et sera en ligne le 2 novembre!

lundi 24 juin 2019

SAD SONGS

L'originale des ALESSI BROTHERS ... du pur 70's stylish !



.. la version d'ONJ ... sublimation totale !




et le great rmx de Daybeat ! 2014/2015 .. déjà !




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MUSIQUE


WOMAN'S DAY

Special time with family

Woman’s Day (Australia)
24 Jun 2019




After putting two testing years behind her, Olivia Newton-john is enjoying the simple things in life, including romantic weekly dates with her husband John Easterling.

Olivia was recently given Australia’s highest honour, the Companion of the Order of Australia (AC), which moved the entertainment icon to tears.

Days later, Olivia, 70, still seemed elated about the honour, looking healthy and happy out in California with John, 66.

Speaking to Woman’s Day, a local resident reveals Olivia and John are popular neighbours, who frequent a few local eateries, with John a true knight in shining armour for Olivia, who is incredibly lucky to have him by her side. “They come in regularly and sit in the same place,” reveals the local. “John is always looking out for her. If she wants something to go with her food, he gets it for her.”



The source says Olivia is often recognised by fans but prefers to go unnoticed. “She’s very much a regular,” the source adds.

Olivia’s fighting spirit is evident now more than ever, having faced her third battle with cancer this year. “I’m still treating it, and I’m treating it naturally and doing really well,” Olivia says.

Fast forward to June and the singer is enjoying as much time as she can with John, and her daughter Chloe, 33, and insisted recently she’s doing “pretty good”.

“Positive thinking is so important to living a healthy and happy life, no matter what the challenge,” Olivia says.


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